Monthly Archives: April 2018

Beautiful When Angry

general_strike

by Alice Embree

The Feminist Action Committee of Democratic Socialists of America (DSA) showed the film, “She’s Beautiful When She’s Angry,” last night in Austin.  We were raising funds for abortion access — for the Lilith Fund and for Frontera Fund.  I wanted to share comments I made after the film, reflections on the women’s liberation movement of the 70s and on the challenges of today.

I remember the consciousness raising rooms with women talking in 1970, electricity in the air. We were beautiful. I remember the moments when someone would say, “That happened to me.” And someone else would say, “Me, too.” When we realized that we faced barriers as women that we hadn’t even seen before. When we realized that women’s voices were frequently silent in rooms that included men, even in rooms full of radicals intent on ending the war. Women typed the leaflets; we didn’t give the speeches. We rarely stepped up into leadership until women’s liberation came along.

Our self-discovery required us to learn from each other, tell our own stories, hear our sisters’ stories. That’s how we began to connect the dots and understand that a system of patriarchy had molded our ideas of what was possible. We intended to break down those barriers.

When I met Glenn Scott, now co-chair of Austin’s DSA chapter, I was in a group called Austin Women Workers. Here’s what our leaflet said in 1975:

We are all workers although some of us are in the role of unpaid mothers and housekeepers.

We know that the struggle for women’s liberation is a revolutionary struggle because the realization of our demands will bring about a basic transformation in our society. We cannot settle for less than the possibility of engaging in meaningful and creative activity: the opportunity to develop… skills…; adequate compensation…; free, loving care for children; control over the reproductive processes; sexual self-determination for all women and especially for lesbians; the development of personal relationships based on mutual responsibility; and the power to make decisions about all areas of our lives…

We also know that the liberation of women will not occur until all people are free. We do not intend to gain a greater degree of independence at the expense of other oppressed people. Therefore, we struggle against all forms of racism, capitalism, and imperialism. Our most important work is the creation of a society in which every person is provided with the basic necessities of food, clothing, and shelter; every person participates in the decision-making process; and every person is able to expand his or her consciousness to the fullest extent.

As part of the 70s Women’s Liberation Movement we began to knock down employment barriers in Austin, demand birth control choices, challenge abortion laws, organize rape crisis centers and speak out against domestic abuse.   Soon, many of us had children while holding down full time jobs. We scrambled for child care and summer camps. Betty Friedan had framed a question in 1963 in The Feminine Mystique written from her suburban vantage point, “Is this all there is?” For most of us in the 80s, it was more like, “Isn’t this too much?”

The point of a socialist analysis is “yes, it is too much.” To expect women to work at lower wages, often taking on the major responsibilities of childcare and elder care in families. With skyrocketing childcare costs, hit or miss health care, even sales taxes on tampons. Yes, it is too much.

The imprint of our work in women’s liberation many decades ago can be seen now in DSA.

In our DSA Feminist Action Committee, we look at intersectionality of oppression – a big word way of saying that oppression can take many forms – class, race, gender identity, citizen status to name a few. We know we can’t understand class without understanding race. We can’t only look at patriarchy without understanding how it intersects with capitalism. In DSA, our organization reminds us to Step Up if you haven’t spoken, to Step Back if you have already spoken. We use something called Progressive Stack in discussions to amplify the voices of women, people of color, and queers.

When we organize for Medicare For All, we know that is a feminist issue. When we win a Paid Sick Days Ordinance, we know that is for women, and for their children. Reproductive justice is a socialist issue. Poverty is a feminist issue. Capitalism has rewarded the few and failed to deliver on basic needs for the many. Patriarchal privilege has warped our culture and our choices as women. As Socialist Feminists, we intend to break down barriers and transform our society in revolutionary ways by fighting for democratic socialism.

The Posters of Red River Women’s Press

by Alice Embree

Red River Women’s Press in Austin, Texas, was run by a collective of women printers, designers and artists.  Producing leaflets for the vibrant Austin resistance movement in the late 70s, the press was also  known  for stunning silk screened posters.  A gallery of those posters are shown here.

Justicia en el Campo, supporting the Texas Farmworkers, was produced in 1977.  The poster was designed by Kandy Littrell and Nancy Simons.

Four posters designed by Carlos Lowry were printed at the press for the Austin Committee for Human Rights in Chile, a solidarity organization that sponsored activities in Austin for more than a decade during the military dictatorship in Chile.  These were: The Battle of Chile showing at the Paramount Theatre, September 10, 1977; Inti-Illimani in concert at the Armadillo World Headquarters, April 23, 1978; Quilapayun in concert at the Armadillo World Headquarters, February 22, 1979; and Inti-Illimani in concert at the University of Texas Hogg Auditorium, April 13, 1980, appearing with an opening act by Conjunto Aztlan.

The poster featuring Anita Bryant, was created by the Red River Women’s Press Collective for a Festival of Life, a counter protest to Bryant’s anti-gay message, held at Auditorium Shores, May 7, 1979.

The poster about the Austin Boat Races, Make This Boat Race the Last Boat Race, publicized the demonstrations to defend Austin’s barrio, August 12 and 13, 1978.  The illustration shows Brown Beret leader Paul Hernandez being taking into police custody.

A poster about Lolita Lebron featured a poem by JoAnn Mulert.  The Oakland Museum of Art has this poster in their collection.